These works on canvas and tablet are shown to the public for the first time. The “sheets of newspaper” born in 2012 when the artist began experimenting in small, the editorial grid as a compositional grid of the work. In the early works conversed typography and images. Then for a long time these individuals have disappeared from the investigation for artistic resurgence, in large size, in 2015. In this second production, the artist not only converse with the baseline grid but also with the news. Here the work is to adapt the images to a piece of news that must remain so, to transpose into sign language the contents of the news. The leaf is taken as a backdrop Daily historical document. The news remains intact in fact, acts as a guide to the artistic journey of the artist that builds, through images, news, events, situations deemed unlikely, that never happened.
Joyful works, pleasant and smiling despite at first sight may seem gloomy, dreary and dirty. This oxymoron depicted from a gloomy joy is the common thread of continuous artistic research of Pambianchi.
The approach is also visible in the six works that portray the characters sometimes celebrated sometimes invented from Queen Elizabeth, Patti Smith to Mao copy of twins. Deformed faces shapes of huge heads, mutilated limbs,conjoined bodies, tattooed, blood tears smear and besmirch the figures underlying taken as the subject to be investigated. Ladies portraits affected by ignoble and incredible strain. The psychological survey carried out by Pambianchi through portraits, creates states of unease in the viewer but also pungent and bitter irony, time to taunt or humiliate the subject, celebrating, through an ambiguous class features of sarcasm.
